希望能够在 IntelliJ 快速调出运行窗口。 如何操作。 你可以通过 Run > Run 来调出运行窗口。   你也可以使用 Alt + Shift + F10 来调出运行窗口。    

要在 IntelliJ 中进行搜索，我们最常想到的就是 Ctrl + F。 其实这个快捷键在 IntelliJ 中是在当前打开的文本中进行搜索，如果我们希望进行全局搜索应该怎么用呢？文档其实都很多，但是真正能够说明白的其实不是非常多。 双击 shift 单击 shift 2 次，你将会看到打开的搜索界面。 如果你尝试搜索文字的时候，你可能会发现，如果你需要的内容在代码里面，这个搜索没有任何显示结果。 你只需要注意： 双击 Shift 的搜索界面只会搜索名字。这个名字包括有文件名，操作的名字等。 如果你有字符串在文件内，这个搜索是搜不到。但是非常好用的是，你可以用这个搜索来搜索 IntelliJ 的快捷键。 例如，你可以输入 push 然后搜索， 你可以看到界面中会显示 push 的快捷键。 Ctrl + Shift + F 这个就是我们常用的全文搜索了。 例如，你有一个 Spring 的项目，你希望在项目中找到所有 @SpringBootApplication 的文件。 这个就是等于在项目的所有文件中搜索文件中的内容，找到符合的文字。 你可以对搜索的内容有些过滤，比如说只搜索特定的文件扩展名等。 这个就是全文搜索了。 请注意不要和双击 Shift 混淆了，搜索的内容不一样。 这个是我们在使用 IntelliJ 中比较容易搞乱的地方。 Ctrl + F 这个就非常简单了， 只是在文件中进行搜索，查找等。 这个只针对你当前打开的文件有效。 这个将会在当前打开的文件编辑器上面进行显示。 如何显示全文查找对话框 如果你不知道全文查找对话框的快捷键是 Ctrl + Shift + F。 你可以有下面 2 种办法打开这个对话框或者找到显示这个对话框的快捷键。 双击 Shift 后输入查找字符 Find In Path 这个就会告诉哦你全文查找对话框显示的快捷键。 从菜单进入 你也可以从菜单中选择通过下面的路径进入打开全文查找对话框。 选择 Edit > Find > Find In Path   https://www.cwiki.us/questions/57934421

在一个项目中，如果我们标记了某些元素为 Deprecated 的话，如何让我们能够快速找到？ 简单来说，你可以对项目进行 Code Inspection。 选择 Analyze > Inspect Code 在弹出的对话框中，对整个项目进行代码分析。 在分析的结果中，你就可以看到那些类，或者方法，或者字段被 Deprecated  了。   https://www.cwiki.us/questions/57934341

在当前使用的 IntelliJ 中的 JDK 版本为 1.8，如何修改 IntelliJ 使用的 JDK 版本为 1.11 呢？ 你可以在 IntelliJ 中进行修改。 选择 File 后，然后选择 Project Structure 然后需要在你的项目结构中首先安装不同的 JDK 版本。 选择项目（Project）后选择不同的 JDK 和不同的编译级别。 然后刷新你的项目在进行编译的时候，你会发现你的 IntelliJ 已经使用设置的新 JDK 版本进行编译项目了。   请参考链接有关具体的问答内容：IntelliJ 更改项目使用的 JDK 版本

intellij 提示 java-numbers.iml does not exist Please correct the file content。 如何解决这个问题？   最简单的办法就是删除 .idea 和 target 文件后，重新导入就可以了。 https://www.cwiki.us/questions/57934173/answers/57934176?flashId=-1458442626

Windows>Preferences>General>Workspace 然后选择你需要的编码就可以了。

I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…

I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…

I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…

I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The year was 1986. My introduction to his fiction, his short novel I Am Legend, was one of the first books that made me run up to my friends and tackle them so they’d all check it out, too. If you haven’t read it (what the hell is wrong with you?), it manages to be a work of science fiction, a vampire story, a progenitor of the “biological plague” apocalyptic novel, and also an excellent thriller. All that in about 160 pages. I had to find out more. I dove into The Shrinking Man (the film added “Incredible”) and Hell House and wow. I wish I had a more sophisticated way to describe my reaction to the seismic effect of Richard Matheson on my young mind, but “wow” gets at the raw, awestruck nature of thing. And then I came to find out the man had written short stories. I tracked them down with gusto, with glee. And with time I began to relate to the man’s writing in a way that seemed damn near mystical. I want to explain exactly what I mean by that. There’s a lot I need to say about Matheson, and the importance of his fiction, the reasons why this collection…